HUICHOL INDIAN YARN ART PAINTING COLLECTION – 48x96-inch

Number

48x96-01

Other No.

JS17-93

Artist

Jose Benitez Sanchez

Title

The Mother of Man is Rescued From Death

Photo

Size

48x96 inch (4x8 foot)

Made date

1974

Price

$12,000

Note

 

The ancestors of the Huichol left their world, Waletuanal for it was soon to be destroyed by a great flood.   After five years of struggle they reached the central platform from where a new land was expanding over the old.  Watetuapa became the underworld, the ocean and the seacoast. 

The ancestors gathered in Wirikuta, center of the new world. Here we see how they rooted themselves into Our Mother Moist Earth (Tatei Yurianaka) and into all the Mothers of Water (Tateteima).  Everything comes and lives from water. The first ancestor to reach Wirikuta was Elder Brother Dee-Tail (in red center).  There he transformed into soul of the gods (not seen).  From his heart-thought (iyari) emerged Tamatsi Kauyumarie (second deer head) spirit of the gods and keeper of the words of all beings, and creator of the new order.  Tamatsi Kauyumarie divided himself into his second form, a man (beneath double headed deer in green). 

The deer spirits' breath (iyaya) exparted Mother Earth (above center) to her present size, and in turn her breath engendered our Mother Peyote, Tatei Hikuri (green circle above Earth's head).  Her cactus flesh, when eaten by seekers of knowledge who are pure of heart, reveals the words of Tamatsi Kauyumarie.  Tamatsi Kauyumarie and Tamatsi Iaxakuaxi set roots into Mother Earth (symbolized by two white antlers on her sides) as their soul life (kupouri) begins to form in the new world (two flowers in the red center).  The tears of the two antlered gods transform into Our Mother-who-is-like-his-tear (Yukaima; orange human figure attached to the right of the oval).  She is the original candle come to consecrate the divine being of all the ancestors who reached Wirikuta.  She is the mother of seven different bee species (vertical band, left of center) whose combs (hanging from the upper frame, right of band) were formed into candles. 

Two candles adorned with paper flowers flank Mother Earth.  The ancestors who made it to Wirikuta died to be reborn there as god-spirits, while their bodies changed into the features of the earth.  In this way, each became a necessary being with definite functions in the life of the new world, Wirikuta, where these became hallowed ground protected by the gods.  Thus it was that when Tamatsi Kauyumarie stopped to speak with Wakuri Kitenie (yellow person below center) he changed into one of his manifold aspects Kauyumarie Aikienie (red person).  These two gods became hills forming the gates to Wirikuta, holy land of the gods, and to this day they bar the entrance with their outstretched arms to all but the clean of spirit.  Both gods have a nierika (small spoked circles by their heads) which is a sacred "mirror" revealing truth behind appearance.

Nowadays Huichol pilgrims on their way to Wirikuta must confess all of their carnal sins in this spot or they will be severely punished.  This is where first time pilgrims entering the Holy land with eyes, covered by a band, get a glimpse of the sacred desert. 

Kauyumarie Aikitenie watches over them with a large nierika in hand which reflects faces of the sacred.  Wakuri (yellow person) cried as his spot is consecrated (spots behind his head symbolize his tears).  At the same time, he proclaimed, “We will root ourselves in the earth and help put the world in order.  But how will we be fully provided?"

Through his headdress of deer antlers and ears, he appealed to Our Mother Eagle Girl (Tatei Werika Wimara) flying above him.  Then the third world of the Sky, Taheima, was born, and Mother Eagle received the spirits of the gods into her abode.  These are the two yellow flowers, one of which hangs from her beak.  In this area of the nascent sky (loop around bird) three red dots signify that the souls of devout Huichol also come to rest here.  Our Mother Eagle Girl still bestows heart, memory and soul upon us from hollow reeds in the sky (above bird).  Four antlers were placed in the sky (attached to loop) so the gods could watch over the earth.  Young Morning Star (Xurawetemai; person with green face, upper right) appeared in the sky.  He used the tip of his arrow (insect-Iike figure before him) to strike a spark (wavy line descending from "insect") and the spark ignited Grandfather Fire's heart into a flame on the earth.  Fire's flaming heart is symbolized as a tilted green head without a body (opposite side far left).  In this way Grandfather Fire (Tatewari; with flowing white hair) was reborn in our world and his burning heart came to rest inside the tobacco-filled gourd carried by all Huichol shamans, Grandfather Fire agreed with Tamatsi Kauyumarie to keep vigil on the earth "to make sure everything is complete".  While Kauyumarie looks to the right (green figure in red center) Grandfather Fire looks to the left.  Waves of communication pass between Grandfather Fire's heel and Kauyumarie's nierika.  Their constant vigil is expressed by two arrows with antlers attached holding up a prayer mat (itari; above Fire's burning heart). 

The powers of Fire on the Earth are held in check by South Rain Spirit (right corner) who sends down showers of rain (chains of descending dots).  The arrows of Morning Star and of the rain god are seen in the extreme top right corner.  These are the ancestors who gave us our life.  Watakame the first cultivator (below the two arrows) survived the flood by following the advice of Great Grandmother Growth (below him).  Now he is in direct contact with Elder Brother Deer Tail (attached to the left of Watakame).  As the Earth greens (budding reed at bottom right), Watakame sows new life (four flowers) in accordance with Deer Tails words.  Great Grandmother Growth (Tacutsi Nakawe) who precipitated the flood, removes its waters from the area of growth (green patch) with two bowls.  Great Grandmother Growth's will was not in harmony with the other ancestors however, and so she prepared to leave Wirikuta.  She delegated her responsibilities to Our Mother Dew Soul (Hautsi Kupuri; seated left of Tacutsi).  Dew Soul separated the lives of Great Grandmother Growth, who is mother of all the gods, and of her companion Watakame, from the rest of the gods in Wirikuta. 

Watakame left for the sea coast to plant corn, and Tacutsi Nakawe disappeared beneath the ocean.  With the advent of Our Mother Dew Soul, the division between the new world of the highlands, called Heriepa, and the old, Watetuapa, was consumated.  She is holy water and soul personified.  Her hand casts five white dew-drops into a votive bowl.  An arrow denoting her power is seen to the right below her dress. Our Mother Dew Soul is the essence of all water holes, which she feeds from a large vein (red, below her).  To her left she nourished the large circular waterhole of

Our Mother-who-watches-over-us (Tatei Matinieri). lying near the entrance to the desert holy land this waterhole is a nierika, for all being is reflected on her.  The deer snare (below her) catches the holy game and is also a nierika, since its purpose is to trap Kauyumarie's progeny.  The snare has a heart (orange tip) and a soul (the flower below).  A reed (small post-like figure) grows strong with its connection to Tatei Matinieri’s water, and to the snare with which the Blue Deer's blood is captured. 

These precious liquids that nourish the reed instill in it the power of sacred arrows to hunt deer and convey the words of the gods.  Indeed, the budding reed issues forth from the combined heart/memory of the ancestor-gods.  The Blue Deer, after being caught in the snare, is sacrificed (upper left of painting) and is offered as sustenance for the gods. The blood of the deer coagulates beneath his heads as he expires. Vulture Person (Temaiku) stands over the deer whom he originally sacrificed. The various designs, which mark the faces of the gods with their specific attributes stream in different colors from the spiney bush (right of sacrifice). They descend over Paritzikatsie, where the Lord of the Hunt and of the Deer transformed into a hill. Paritikatsie is an altar of the gods who gather by it (as five dots to the left) to be revealed by the pilgrims who come to find peyote here. 

The gods set the example for men to follow for when they set roots in the earth they laid the foundations for mans life.  The lives of the gods on earth (seven flowers bottom left) and their roots (two wavy lines issued from below) took shape after the flood.   A plant bearing flowers grows where the gods dwell.  The Mother of the Rains and Lightning (Iiuariwame) stands the left of Aitsarikal who gave birth to the first children. 

In the corner stands the Mother of Fish and Rivers, and above her is Tatei Our Mother Doe Soul, whose menstruation gives the earth fertility and who bears Aitsarika.  Our Mother Corn (Tatei Niwetsika; above) is the daughter of Nuariwame.  Her flesh feeds our bodies like the deer nurtures her and the soil with his sacrifice.  From her hang threads of corn silk.  These were the gods who met in Wirikuta whose heart is the red center in the beginning of time.   After they left their roots, we lay our own, walking and resting on Mother Earth who gave us our soul.

 

       HUICHOL INDIAN YARN ART PAINTING COLLECTION

Number

96x48-02

Other No.

 

Artist

 

Title

 

Photo

Size

48x96 inch (4x8 foot)

Made date

1970

Price

$12,000

Note

Now it is in China

This yarn work does have Spanish text on the reverse, but we have not copied it, nor translated the words.  It may be crated and shipped back to the USA if there is interest.